CNBCBusiness
Meta joins with group of companies to tame ‘chaos’ of doing business with AI bots
Meta and OpenAI Chairman Bret Taylor’s startup Sierra are building a set of tech standards to make it easier to do business with AI bots.
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CNBCBusiness
Meta and OpenAI Chairman Bret Taylor’s startup Sierra are building a set of tech standards to make it easier to do business with AI bots.
The VergeTechnology
Following many recent disclosures about AI agents accessing third-party websites and services, the Wikimedia Foundation, which hosts Wikipedia, says that it "can confirm that we have discovered some activity" by "rogue" OpenAI agents on Wikimedia platforms. The activity includes edits to Wikimedia wikis, "unsuccessful…
The VergeTechnology
After launching nearly a month ago and spending several weeks as the top free app in Apple's App Store, the latest update to Meta's Muse iOS app introduces native support for the iPad. A Mac version of Meta's agentic AI tool (designed to compete with OpenClaw, ChatGPT's Dots, and Grok Bot) was released about a […]
The New York TimesScience
Atomic Machines is training artificial intelligence on materials and designs — and then using it to build tiny physical devices.
The New York TimesCulture
Leon Botstein is no longer president of Bard College, but he continues to teach and play a prominent role in the school’s signature music programs.
TechCrunchTechnology
Personal AI agents promise to shop, book flights, and make reservations for you. But deliberate blocks and anti-bot defenses are getting in the way, leaving consumers caught in the middle. A new standard aims to help.
TechCrunchTechnology
Safeworld is building digital humans to make sure robots don't hurt the real ones.
The New York TimesBusiness
Faced with bots immune to traditional marketing tactics, marketers are racing to win them over with logic and data.
The GuardianCulture
Royal Opera House, London Evgeny Titov’s brutal and powerful new staging of Wagner’s final opera explains as little as possible. Christian Gerhaher is a compelling and wild-eyed Amfortas and Jakub Hrůša and the Royal Opera’s orchestra are superb Grail, wound, spear: some of the narrative trappings of Wagner’s final…
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